The Hindi film Baby And Baby (2025), a family drama, was written and directed by Prathap. Produced by B. Yuvaraj under the banner of Yuvaraj Films, it premiered on OTT on June 24, 2025, with a runtime of 2 hours and 13 minutes.
Baby And Baby 2025 Movie Overviews

Movie Name | Baby & Baby 2025 Movie |
Original Language | Tamil |
Spoken Language | Hindi |
Release Date | 24 June 2025 |
Runtime | 2 hour and 13 minutes |
Country | India |
Genres | Family Drama |
Writer | Prathap |
Director | Prathap |
Producer | B. Yuvaraj |
Production Co. | Yuvaraj Films |
Baby And Baby 2025 Movie Screenshots



Baby And Baby 2025 Movie Star Cast
Actor | Role |
---|---|
Jai | Shiva |
Sathyaraj | Mahalingam |
Yogi Babu | Guna |
Pragya Nagra | Priya |
Sai Dhanyaa | Malar |
Ilavarasu | Muthaiya |
Anandaraj | Rajan |
Nizhalgal Ravi | Dayalan |
Singampuli | Singampuli |
Baby And Baby 2025 Movie Trailer
Baby And Baby 2025 Movie Review
Since the laugh track’s invention, few comedies have felt as contrived as Baby & Baby. Director Pradhap’s comedy of errors kicks off with an unlikely baby swap at an airport, spiraling into increasingly forced scenarios. The story follows two couples—Shiva (Jai) and Guna (Yogi Babu)—whose infants are swapped in a chaotic airport moment. Each father grapples with family expectations: Shiva’s father (Sathyaraj) demands a male heir, while Guna’s father insists on a granddaughter for astrological reasons. What unfolds is a string of missed opportunities and overstretched complications.
The film sacrifices logic for plot convenience, which could work if the humor hit more often. Characters make baffling choices to prolong the chaos, and subplots involving property disputes and kidnappings feel haphazard. The script leans on repetitive patterns—two overbearing fathers, two abductions, two predictable resolutions—lacking originality.
The comedy relies on tired tropes and loud banter. Jai shows some charisma but is stuck playing a flustered everyman. Yogi Babu fares better, not solely relegated to comic relief. Veterans like Sathyaraj and Anandaraj toggle between gravitas and caricature, doing their best with uneven roles. D Imman’s score is adequate but unremarkable. Aiming to mix family drama with comedy, Baby & Baby misses both marks, feeling more like a dated relic than a fresh entertainer.