Megan 2.0, a horror and sci-fi film, is directed by Gerard Johnstone, who also co-wrote the script with Akela Cooper. Produced by Jason Blum, James Wan, and Allison Williams, and presented by Blumhouse Productions and Atomic Monster, this 1-hour and 59-minute movie premieres in theaters on June 27, 2025.
Megan 2.0 Movie Overviews
| Movie Name | M3gan 2.0 2025 Movie |
| Original Language | English |
| Spoken Language | – |
| Release Date | 27 June 2025 |
| Runtime | 1 hour and 59 minutes |
| Country | United States |
| Genres | Horror Sci-Fi |
| Writer | Gerard Johnstone, Akela Cooper |
| Director | Gerard Johnstone |
| Producer | Jason Blum, James Wan, Allison Williams |
| Production Co. | Blumhouse Productions, Atomic Monster |
Megan 2.0 Movie Screenshots
Megan 2.0 Movie Star Cast
| Actor / Actress | Role |
|---|---|
| Allison Williams | Gemma |
| Violet McGraw | Cady |
| Amie Donald | M3GAN (physical performer) |
| Jenna Davis | Voice of M3GAN |
| Brian Jordan Alvarez | Cole |
| Stephane Garneau-Monten | Kurt |
| Lori Dungey | Celia |
Megan 2.0 Movie Trailer
Megan 2.0 Movie Review
“M3GAN 2.0 shifts gears from the original’s classic killer robot vibe, where a cutesy tween bot channeled Small Wonder meets The Terminator, to a sharper focus on AI. After M3GAN’s body was destroyed, she lingers on servers, spying on Cady and side-eyeing Gemma, now an anti-AI activist. A deadlier rival, AMELIA (Sakhno), forces M3GAN out of the digital shadows, echoing Terminator 2’s stakes.
But the sequel stumbles, like a buggy software update that ruins your favorite features while shoving unwanted ones in your face. Director Johnstone, taking over scripting from Akela Cooper, wavers between goofy action, Silicon Valley satire, and earnest AI commentary, landing on an uneven mix that feels like an over-serious Austin Powers veering into Superman III’s absurdity.
The timing doesn’t help. With U.S. strikes on Iran’s nuclear sites in the news, the opening scene of AMELIA killing a scientist in an Iranian lab feels jarring. Johnstone’s script also drowns in exposition, with every character over-explaining a messy plot about AMELIA chasing a sentient fax machine—yes, really.
Without her iconic body, M3GAN’s charm hinges on Davis’ sharp delivery, whether she’s sardonic or slinging one-liners from whatever device she’s hijacked. If Blumhouse and Atomic Monster keep churning out sequels, they should let M3GAN be her gloriously unhinged self.”
